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The Charged Void: Architecture

Smithson, A.M. & Smithson, P. 2000, The charged void: architecture, Monacelli Press, New York. In calling our collected works The Charged Void: Architecture, we are thinking of architecture’s capacity to charge the space around it with energy which can join up

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The Charged Void: Architecture

Smithson, A.M. & Smithson, P. 2000, The charged void: architecture, Monacelli Press, New York. In calling our collected works The Charged Void: Architecture, we are thinking of architecture’s capacity to charge the space around it with energy which can join up

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Pushing and Pulling – Ego Crushing in Improvised Performance

Pete Swanson in conversation. I record everything live.  It’s all improvised on hardware and mixed live to two tracks, which I’ll edit down into something useable later.  I don’t really use a computer to make music beyond recording that one

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Pushing and Pulling – Ego Crushing in Improvised Performance

Pete Swanson in conversation. I record everything live.  It’s all improvised on hardware and mixed live to two tracks, which I’ll edit down into something useable later.  I don’t really use a computer to make music beyond recording that one

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My first year viva…

Starting with intention… My original abstract read: Aurality and the modern urban landscape – An exploration of the city as a prime motivator for intermedia analysis My research explores the notion of place, identity and the sonic representation of urban spaces.

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My first year viva…

Starting with intention… My original abstract read: Aurality and the modern urban landscape – An exploration of the city as a prime motivator for intermedia analysis My research explores the notion of place, identity and the sonic representation of urban spaces.

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Bibliography

Alonso, E., 2015. The Listener in François Bayle’s Works: A resonant subject in a living space. Organised Sound, 20(3), pp. 308-315. Bailey, D. 1992. Improvisation: Its Nature and Practice in Music. England. Da Capo Press. Cascone, K. (2000). The Aesthetics of Failure:

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Bibliography

Alonso, E., 2015. The Listener in François Bayle’s Works: A resonant subject in a living space. Organised Sound, 20(3), pp. 308-315. Bailey, D. 1992. Improvisation: Its Nature and Practice in Music. England. Da Capo Press. Cascone, K. (2000). The Aesthetics of Failure:

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Jean-Luc Godard

The director as architect… a thoughtful little, 6 minute, movie at the BFI site. … existing locations, build new sets, compose and arrange spaces. Establish a new and complex spatial relationship within the frame of the image. Building spaces that change

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Jean-Luc Godard

The director as architect… a thoughtful little, 6 minute, movie at the BFI site. … existing locations, build new sets, compose and arrange spaces. Establish a new and complex spatial relationship within the frame of the image. Building spaces that change

/ Comments Off on Jean-Luc Godard