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Wolfgang Tillmans

Neil Tennant, musician “What is the influence of music on your photography? Has DJing and performing changed your approach to your visual work in any way?”In a question above I mentioned my love for the layering in music, how it is

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Wolfgang Tillmans

Neil Tennant, musician “What is the influence of music on your photography? Has DJing and performing changed your approach to your visual work in any way?”In a question above I mentioned my love for the layering in music, how it is

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Urbanity

Noun she could see him growing quite testy beneath that polished urbanity of his: suaveness, sophistication, worldliness, elegance, cultivation, culture, civilization, breeding, smoothness, polish, refinement, poise, self-possession, dignity; courtesy, politeness, civility, mannerliness, manners, gentlemanliness, gallantry, courtliness, graciousness, charm, affability, tact, diplomacy, soft skills; informal cool; humorous couth.

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Urbanity

Noun she could see him growing quite testy beneath that polished urbanity of his: suaveness, sophistication, worldliness, elegance, cultivation, culture, civilization, breeding, smoothness, polish, refinement, poise, self-possession, dignity; courtesy, politeness, civility, mannerliness, manners, gentlemanliness, gallantry, courtliness, graciousness, charm, affability, tact, diplomacy, soft skills; informal cool; humorous couth.

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Shouldn’t art speak for itself?

“Making their words a presence in the galleries offers their work new readings that are seldom accessible outside the privileged space of their studios. Documenting the thoughts behind the choices made by practitioners also fulfils the curatorial requirements of a

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Shouldn’t art speak for itself?

“Making their words a presence in the galleries offers their work new readings that are seldom accessible outside the privileged space of their studios. Documenting the thoughts behind the choices made by practitioners also fulfils the curatorial requirements of a

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The Charged Void: Architecture

Smithson, A.M. & Smithson, P. 2000, The charged void: architecture, Monacelli Press, New York. In calling our collected works The Charged Void: Architecture, we are thinking of architecture’s capacity to charge the space around it with energy which can join up

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The Charged Void: Architecture

Smithson, A.M. & Smithson, P. 2000, The charged void: architecture, Monacelli Press, New York. In calling our collected works The Charged Void: Architecture, we are thinking of architecture’s capacity to charge the space around it with energy which can join up

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Pushing and Pulling – Ego Crushing in Improvised Performance

Pete Swanson in conversation. I record everything live.  It’s all improvised on hardware and mixed live to two tracks, which I’ll edit down into something useable later.  I don’t really use a computer to make music beyond recording that one

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Pushing and Pulling – Ego Crushing in Improvised Performance

Pete Swanson in conversation. I record everything live.  It’s all improvised on hardware and mixed live to two tracks, which I’ll edit down into something useable later.  I don’t really use a computer to make music beyond recording that one

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My first year viva…

Starting with intention… My original abstract read: Aurality and the modern urban landscape – An exploration of the city as a prime motivator for intermedia analysis My research explores the notion of place, identity and the sonic representation of urban spaces.

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My first year viva…

Starting with intention… My original abstract read: Aurality and the modern urban landscape – An exploration of the city as a prime motivator for intermedia analysis My research explores the notion of place, identity and the sonic representation of urban spaces.

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Bibliography

Ackroyd, P. 2001. London: The Biography. London. Vintage. Alonso, E., 2015. The Listener in François Bayle’s Works: A resonant subject in a living space. Organised Sound, 20(3), pp. 308-315. Bailey, D. 1992. Improvisation: Its Nature and Practice in Music. England. Da Capo

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Bibliography

Ackroyd, P. 2001. London: The Biography. London. Vintage. Alonso, E., 2015. The Listener in François Bayle’s Works: A resonant subject in a living space. Organised Sound, 20(3), pp. 308-315. Bailey, D. 1992. Improvisation: Its Nature and Practice in Music. England. Da Capo

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Jean-Luc Godard

The director as architect… a thoughtful little, 6 minute, movie at the BFI site. … existing locations, build new sets, compose and arrange spaces. Establish a new and complex spatial relationship within the frame of the image. Building spaces that change

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Jean-Luc Godard

The director as architect… a thoughtful little, 6 minute, movie at the BFI site. … existing locations, build new sets, compose and arrange spaces. Establish a new and complex spatial relationship within the frame of the image. Building spaces that change

/ Comments Off on Jean-Luc Godard